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QUEENMAMA EAT&TALK #1
Juwon Kim: The night, the past recalls the past
Spectres of the State Avant-Garde
KEEPUSWEIRD
Peardrop
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Jeongsu Woo: Three Devils by the Bedside
Have A Nice Day: Greetings from kontaakt
kontaaktpoie
Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps
Jeongsu Woo: Three Devils by the Bedside
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
2024 Leeum Calendar × Hyun-Sook Song
Ticket, Ilmin Museum of Art (Renewal)
kontaaktpoie
Korean Video Art from 1970s to 1990s: Time Image Apparatus
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
YES! Market
COSMOS PARTY
Design and the Anxiety of the Contemporary
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
do it 2017, Seoul
The Heaven and the Sinner
Catastrophe and Recovery
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
KEEPUSWEIRD
Oksun Kim: The Story of You and Me
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
RM ‘Right Place, Wrong Person’
Lee ShinJa, Threadscapes
KBS Symphony Orchestra 2019
DOOSAN Humanities Theater 2023: Age, Age, Age
Olafur Eliasson: The living observatory, 2021
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie