kontaakt

DOOSAN Humanities Theater 2023: Age, Age, Age

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Ticket, Ilmin Museum of Art (Renewal)

RM ‘Right Place, Wrong Person’

Olafur Eliasson: The living observatory, 2021

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

RM ‘Right Place, Wrong Person’

Lee ShinJa, Threadscapes

Have A Nice Day: Greetings from kontaakt

RM ‘Right Place, Wrong Person’

The Heaven and the Sinner

Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps

Jeongsu Woo: Three Devils by the Bedside

QUEENMAMA EAT&TALK #1

do it 2017, Seoul

Oksun Kim: The Story of You and Me

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Design and the Anxiety of the Contemporary

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

2024 Leeum Calendar × Hyun-Sook Song

Korean Video Art from 1970s to 1990s: Time Image Apparatus

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Juwon Kim: The night, the past recalls the past

KBS Symphony Orchestra 2019

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

RM ‘Right Place, Wrong Person’

Catastrophe and Recovery

Spectres of the State Avant-Garde

Jeongsu Woo: Three Devils by the Bedside