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kontaaktpoie
Crush EP 'FANG'
KBS Symphony Orchestra 2019
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
2024 Leeum Calendar × Hyun-Sook Song
KEEPUSWEIRD
COSMOS PARTY
The Heaven and the Sinner
Jeongsu Woo: Three Devils by the Bedside
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Jeongsu Woo: Three Devils by the Bedside
Spectres of the State Avant-Garde
Have A Nice Day: Greetings from kontaakt
Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
RM ‘Right Place, Wrong Person’(Vinyl)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Through Fragility
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Ticket, Ilmin Museum of Art (Renewal)
Lee ShinJa, Threadscapes
do it 2017, Seoul
YES! Market
RM ‘Right Place, Wrong Person’
Design and the Anxiety of the Contemporary
RM ‘Right Place, Wrong Person’
KEEPUSWEIRD
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Olafur Eliasson: The living observatory, 2021
Crush EP 'FANG'
Catastrophe and Recovery
RM ‘Right Place, Wrong Person’
DOOSAN Humanities Theater 2023: Age, Age, Age
RM ‘Right Place, Wrong Person’
Peardrop
Oksun Kim: The Story of You and Me
kontaaktpoie
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
QUEENMAMA EAT&TALK #1
Juwon Kim: The night, the past recalls the past
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil