kontaakt

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Ticket, Ilmin Museum of Art (Renewal)

RM ‘Right Place, Wrong Person’

Korean Video Art from 1970s to 1990s: Time Image Apparatus

RM ‘Right Place, Wrong Person’

Spectres of the State Avant-Garde

Olafur Eliasson: The living observatory, 2021

The Heaven and the Sinner

KBS Symphony Orchestra 2019

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

Lee ShinJa, Threadscapes

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Juwon Kim: The night, the past recalls the past

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Design and the Anxiety of the Contemporary

RM ‘Right Place, Wrong Person’

2024 Leeum Calendar × Hyun-Sook Song

do it 2017, Seoul

Have A Nice Day: Greetings from kontaakt

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

DOOSAN Humanities Theater 2023: Age, Age, Age

Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps

Catastrophe and Recovery

RM ‘Right Place, Wrong Person’

QUEENMAMA EAT&TALK #1

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Jeongsu Woo: Three Devils by the Bedside

Oksun Kim: The Story of You and Me

Jeongsu Woo: Three Devils by the Bedside