kontaakt

2024 Leeum Calendar × Hyun-Sook Song

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Korean Video Art from 1970s to 1990s: Time Image Apparatus

KBS Symphony Orchestra 2019

Ticket, Ilmin Museum of Art (Renewal)

QUEENMAMA EAT&TALK #1

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

RM ‘Right Place, Wrong Person’(Vinyl)

RM ‘Right Place, Wrong Person’

Lee ShinJa, Threadscapes

do it 2017, Seoul

Juwon Kim: The night, the past recalls the past

Have A Nice Day: Greetings from kontaakt

RM ‘Right Place, Wrong Person’

Jeongsu Woo: Three Devils by the Bedside

Through Fragility

The Heaven and the Sinner

Spectres of the State Avant-Garde

Design and the Anxiety of the Contemporary

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Jeongsu Woo: Three Devils by the Bedside

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Crush EP 'FANG'

Catastrophe and Recovery

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

RM ‘Right Place, Wrong Person’

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

Oksun Kim: The Story of You and Me

RM ‘Right Place, Wrong Person’

Crush EP 'FANG'

Olafur Eliasson: The living observatory, 2021

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie