kontaakt

DOOSAN Humanities Theater 2023: Age, Age, Age

Korean Video Art from 1970s to 1990s: Time Image Apparatus

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Catastrophe and Recovery

do it 2017, Seoul

Lee ShinJa, Threadscapes

2024 Leeum Calendar × Hyun-Sook Song

The Heaven and the Sinner

Spectres of the State Avant-Garde

RM ‘Right Place, Wrong Person’

Juwon Kim: The night, the past recalls the past

Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps

Oksun Kim: The Story of You and Me

Jeongsu Woo: Three Devils by the Bedside

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

KBS Symphony Orchestra 2019

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Jeongsu Woo: Three Devils by the Bedside

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Have A Nice Day: Greetings from kontaakt

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

Design and the Anxiety of the Contemporary

QUEENMAMA EAT&TALK #1

Olafur Eliasson: The living observatory, 2021

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Ticket, Ilmin Museum of Art (Renewal)

RM ‘Right Place, Wrong Person’

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE