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do it 2017, Seoul
YES! Market
QUEENMAMA EAT&TALK #1
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Design and the Anxiety of the Contemporary
kontaaktpoie
Have A Nice Day: Greetings from kontaakt
KEEPUSWEIRD
RM ‘Right Place, Wrong Person’(Vinyl)
Ticket, Ilmin Museum of Art (Renewal)
Lee ShinJa, Threadscapes
RM ‘Right Place, Wrong Person’
Olafur Eliasson: The living observatory, 2021
Crush EP 'FANG'
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
RM ‘Right Place, Wrong Person’
COSMOS PARTY
Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps
Oksun Kim: The Story of You and Me
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
The Heaven and the Sinner
Catastrophe and Recovery
2024 Leeum Calendar × Hyun-Sook Song
KEEPUSWEIRD
Jeongsu Woo: Three Devils by the Bedside
Jeongsu Woo: Three Devils by the Bedside
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KBS Symphony Orchestra 2019
kontaaktpoie
Through Fragility
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Peardrop
DOOSAN Humanities Theater 2023: Age, Age, Age
RM ‘Right Place, Wrong Person’
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Juwon Kim: The night, the past recalls the past
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Crush EP 'FANG'
Spectres of the State Avant-Garde