kontaakt

DOOSAN Humanities Theater 2023: Age, Age, Age

do it 2017, Seoul

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

RM ‘Right Place, Wrong Person’

Jeongsu Woo: Three Devils by the Bedside

Crush EP 'FANG'

Korean Video Art from 1970s to 1990s: Time Image Apparatus

Have A Nice Day: Greetings from kontaakt

Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Olafur Eliasson: The living observatory, 2021

Oksun Kim: The Story of You and Me

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Spectres of the State Avant-Garde

Juwon Kim: The night, the past recalls the past

Catastrophe and Recovery

2026 SeMA Calendar

KBS Symphony Orchestra 2019

2024 Leeum Calendar × Hyun-Sook Song

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Design and the Anxiety of the Contemporary

Jeongsu Woo: Three Devils by the Bedside

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

Crush EP 'FANG'

Lee ShinJa, Threadscapes

RM ‘Right Place, Wrong Person’

Ticket, Ilmin Museum of Art (Renewal)

RM ‘Right Place, Wrong Person’

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

The Heaven and the Sinner

RM ‘Right Place, Wrong Person’

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

RM ‘Right Place, Wrong Person’(Vinyl)

Through Fragility

QUEENMAMA EAT&TALK #1

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil