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Crush EP 'FANG'
2024 Leeum Calendar × Hyun-Sook Song
QUEENMAMA EAT&TALK #1
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KEEPUSWEIRD
KBS Symphony Orchestra 2019
YES! Market
Have A Nice Day: Greetings from kontaakt
KYNE: ROUTE3
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Juwon Kim: The night, the past recalls the past
Lee ShinJa, Threadscapes
do it 2017, Seoul
kontaaktpoie
Peardrop
THE NEUTRAL
RM ‘Right Place, Wrong Person’
Through Fragility
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Jeongsu Woo: Three Devils by the Bedside
Catastrophe and Recovery
The Heaven and the Sinner
Jeongsu Woo: Three Devils by the Bedside
Crush EP 'FANG'
Ticket, Ilmin Museum of Art (Renewal)
RM ‘Right Place, Wrong Person’(Vinyl)
RM ‘Right Place, Wrong Person’
Design and the Anxiety of the Contemporary
Oksun Kim: The Story of You and Me
RM ‘Right Place, Wrong Person’
Olafur Eliasson: The living observatory, 2021
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
kontaaktpoie
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Spectres of the State Avant-Garde
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
RM ‘Right Place, Wrong Person’
KEEPUSWEIRD
Korean Video Art from 1970s to 1990s: Time Image Apparatus