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THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
kontaaktpoie
do it 2017, Seoul
KEEPUSWEIRD
Lee ShinJa, Threadscapes
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
kontaaktpoie
Through Fragility
Crush EP 'FANG'
Design and the Anxiety of the Contemporary
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
THE NEUTRAL
KEEPUSWEIRD
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
RM ‘Right Place, Wrong Person’
KYNE: ROUTE3
Ticket, Ilmin Museum of Art (Renewal)
Jeongsu Woo: Three Devils by the Bedside
QUEENMAMA EAT&TALK #1
KBS Symphony Orchestra 2019
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Have A Nice Day: Greetings from kontaakt
YES! Market
2024 Leeum Calendar × Hyun-Sook Song
RM ‘Right Place, Wrong Person’(Vinyl)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Peardrop
Olafur Eliasson: The living observatory, 2021
Catastrophe and Recovery
Juwon Kim: The night, the past recalls the past
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Oksun Kim: The Story of You and Me
Spectres of the State Avant-Garde
Crush EP 'FANG'
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
RM ‘Right Place, Wrong Person’
Jeongsu Woo: Three Devils by the Bedside
The Heaven and the Sinner