kontaakt

Crush EP 'FANG'

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Through Fragility

QUEENMAMA EAT&TALK #1

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Catastrophe and Recovery

Crush EP 'FANG'

Korean Video Art from 1970s to 1990s: Time Image Apparatus

2024 Leeum Calendar × Hyun-Sook Song

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

RM ‘Right Place, Wrong Person’(Vinyl)

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Juwon Kim: The night, the past recalls the past

The Heaven and the Sinner

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

do it 2017, Seoul

RM ‘Right Place, Wrong Person’

Olafur Eliasson: The living observatory, 2021

KBS Symphony Orchestra 2019

2026 SeMA Calendar

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Jeongsu Woo: Three Devils by the Bedside

Lee ShinJa, Threadscapes

Design and the Anxiety of the Contemporary

Ticket, Ilmin Museum of Art (Renewal)

Jeongsu Woo: Three Devils by the Bedside

Spectres of the State Avant-Garde

Oksun Kim: The Story of You and Me

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Have A Nice Day: Greetings from kontaakt

RM ‘Right Place, Wrong Person’