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RM ‘Right Place, Wrong Person’
Peardrop
Spectres of the State Avant-Garde
Jeongsu Woo: Three Devils by the Bedside
QUEENMAMA EAT&TALK #1
THE NEUTRAL
2024 Leeum Calendar × Hyun-Sook Song
Crush EP 'FANG'
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Korean Video Art from 1970s to 1990s: Time Image Apparatus
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KYNE: ROUTE3
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
YES! Market
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
RM ‘Right Place, Wrong Person’
The Heaven and the Sinner
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Lee ShinJa, Threadscapes
Through Fragility
kontaaktpoie
RM ‘Right Place, Wrong Person’(Vinyl)
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’
KEEPUSWEIRD
Have A Nice Day: Greetings from kontaakt
Ticket, Ilmin Museum of Art (Renewal)
RM ‘Right Place, Wrong Person’
Olafur Eliasson: The living observatory, 2021
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Design and the Anxiety of the Contemporary
do it 2017, Seoul
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KEEPUSWEIRD
Catastrophe and Recovery
KBS Symphony Orchestra 2019
Oksun Kim: The Story of You and Me
kontaaktpoie
Jeongsu Woo: Three Devils by the Bedside
Juwon Kim: The night, the past recalls the past