kontaakt

RM ‘Right Place, Wrong Person’

Crush EP 'FANG'

Have A Nice Day: Greetings from kontaakt

QUEENMAMA EAT&TALK #1

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Design and the Anxiety of the Contemporary

The Heaven and the Sinner

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

Olafur Eliasson: The living observatory, 2021

Spectres of the State Avant-Garde

Oksun Kim: The Story of You and Me

2024 Leeum Calendar × Hyun-Sook Song

Jeongsu Woo: Three Devils by the Bedside

do it 2017, Seoul

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Korean Video Art from 1970s to 1990s: Time Image Apparatus

Juwon Kim: The night, the past recalls the past

Through Fragility

Lee ShinJa, Threadscapes

Crush EP 'FANG'

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Ticket, Ilmin Museum of Art (Renewal)

RM ‘Right Place, Wrong Person’(Vinyl)

Catastrophe and Recovery

Jeongsu Woo: Three Devils by the Bedside

KBS Symphony Orchestra 2019

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

RM ‘Right Place, Wrong Person’

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE