kontaakt

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

RM ‘Right Place, Wrong Person’

2024 Leeum Calendar × Hyun-Sook Song

Olafur Eliasson: The living observatory, 2021

Jeongsu Woo: Three Devils by the Bedside

Catastrophe and Recovery

QUEENMAMA EAT&TALK #1

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

do it 2017, Seoul

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Korean Video Art from 1970s to 1990s: Time Image Apparatus

The Heaven and the Sinner

Ticket, Ilmin Museum of Art (Renewal)

Spectres of the State Avant-Garde

Jeongsu Woo: Three Devils by the Bedside

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

Through Fragility

Lee ShinJa, Threadscapes

RM ‘Right Place, Wrong Person’

Crush EP 'FANG'

RM ‘Right Place, Wrong Person’(Vinyl)

Oksun Kim: The Story of You and Me

KBS Symphony Orchestra 2019

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Crush EP 'FANG'

Have A Nice Day: Greetings from kontaakt

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Juwon Kim: The night, the past recalls the past

Design and the Anxiety of the Contemporary