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Have A Nice Day: Greetings from kontaakt
YES! Market
The Heaven and the Sinner
Jeongsu Woo: Three Devils by the Bedside
Juwon Kim: The night, the past recalls the past
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Crush EP 'FANG'
Olafur Eliasson: The living observatory, 2021
KYNE: ROUTE3
THE NEUTRAL
kontaaktpoie
Spectres of the State Avant-Garde
QUEENMAMA EAT&TALK #1
RM ‘Right Place, Wrong Person’
2024 Leeum Calendar × Hyun-Sook Song
RM ‘Right Place, Wrong Person’
KEEPUSWEIRD
Through Fragility
RM ‘Right Place, Wrong Person’
Design and the Anxiety of the Contemporary
Catastrophe and Recovery
do it 2017, Seoul
THE NEUTRAL
Peardrop
Korean Video Art from 1970s to 1990s: Time Image Apparatus
KBS Symphony Orchestra 2019
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Ticket, Ilmin Museum of Art (Renewal)
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KEEPUSWEIRD
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Oksun Kim: The Story of You and Me
RM ‘Right Place, Wrong Person’(Vinyl)
Jeongsu Woo: Three Devils by the Bedside
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’
kontaaktpoie
Lee ShinJa, Threadscapes
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)