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KEEPUSWEIRD
Have A Nice Day: Greetings from kontaakt
THE NEUTRAL
Jeongsu Woo: Three Devils by the Bedside
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Spectres of the State Avant-Garde
RM ‘Right Place, Wrong Person’
do it 2017, Seoul
KBS Symphony Orchestra 2019
Through Fragility
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’(Vinyl)
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’
Juwon Kim: The night, the past recalls the past
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Lee ShinJa, Threadscapes
KYNE: ROUTE3
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
2024 Leeum Calendar × Hyun-Sook Song
RM ‘Right Place, Wrong Person’
QUEENMAMA EAT&TALK #1
Olafur Eliasson: The living observatory, 2021
kontaaktpoie
Peardrop
Ticket, Ilmin Museum of Art (Renewal)
Design and the Anxiety of the Contemporary
Oksun Kim: The Story of You and Me
KEEPUSWEIRD
Crush EP 'FANG'
Jeongsu Woo: Three Devils by the Bedside
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
YES! Market
Catastrophe and Recovery
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
kontaaktpoie
The Heaven and the Sinner