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Korean Video Art from 1970s to 1990s: Time Image Apparatus
KEEPUSWEIRD
Have A Nice Day: Greetings from kontaakt
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Catastrophe and Recovery
Olafur Eliasson: The living observatory, 2021
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
do it 2017, Seoul
2024 Leeum Calendar × Hyun-Sook Song
kontaaktpoie
RM ‘Right Place, Wrong Person’
Crush EP 'FANG'
Crush EP 'FANG'
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
THE NEUTRAL
Juwon Kim: The night, the past recalls the past
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KYNE: ROUTE3
Oksun Kim: The Story of You and Me
Lee ShinJa, Threadscapes
QUEENMAMA EAT&TALK #1
Jeongsu Woo: Three Devils by the Bedside
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Design and the Anxiety of the Contemporary
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
YES! Market
kontaaktpoie
KBS Symphony Orchestra 2019
KEEPUSWEIRD
RM ‘Right Place, Wrong Person’
Through Fragility
RM ‘Right Place, Wrong Person’
Spectres of the State Avant-Garde
RM ‘Right Place, Wrong Person’(Vinyl)
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
The Heaven and the Sinner
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Jeongsu Woo: Three Devils by the Bedside
Peardrop
Ticket, Ilmin Museum of Art (Renewal)