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Jeongsu Woo: Three Devils by the Bedside
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Have A Nice Day: Greetings from kontaakt
Peardrop
The Heaven and the Sinner
RM ‘Right Place, Wrong Person’
Korean Video Art from 1970s to 1990s: Time Image Apparatus
RM ‘Right Place, Wrong Person’
kontaaktpoie
Through Fragility
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Crush EP 'FANG'
Oksun Kim: The Story of You and Me
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
RM ‘Right Place, Wrong Person’
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
RM ‘Right Place, Wrong Person’(Vinyl)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Design and the Anxiety of the Contemporary
2024 Leeum Calendar × Hyun-Sook Song
Lee ShinJa, Threadscapes
Juwon Kim: The night, the past recalls the past
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KYNE: ROUTE3
KEEPUSWEIRD
THE NEUTRAL
Jeongsu Woo: Three Devils by the Bedside
do it 2017, Seoul
RM ‘Right Place, Wrong Person’
KEEPUSWEIRD
kontaaktpoie
QUEENMAMA EAT&TALK #1
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Spectres of the State Avant-Garde
Catastrophe and Recovery
KBS Symphony Orchestra 2019
Olafur Eliasson: The living observatory, 2021
Ticket, Ilmin Museum of Art (Renewal)
YES! Market
Crush EP 'FANG'