kontaakt

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

Ticket, Ilmin Museum of Art (Renewal)

Have A Nice Day: Greetings from kontaakt

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

KBS Symphony Orchestra 2019

do it 2017, Seoul

Oksun Kim: The Story of You and Me

The Heaven and the Sinner

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Juwon Kim: The night, the past recalls the past

Olafur Eliasson: The living observatory, 2021

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

QUEENMAMA EAT&TALK #1

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Crush EP 'FANG'

Jeongsu Woo: Three Devils by the Bedside

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’(Vinyl)

Design and the Anxiety of the Contemporary

Through Fragility

Korean Video Art from 1970s to 1990s: Time Image Apparatus

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Catastrophe and Recovery

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Jeongsu Woo: Three Devils by the Bedside

Spectres of the State Avant-Garde

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

Lee ShinJa, Threadscapes

RM ‘Right Place, Wrong Person’

2024 Leeum Calendar × Hyun-Sook Song

Crush EP 'FANG'