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The Heaven and the Sinner
DOOSAN Humanities Theater 2023: Age, Age, Age
QUEENMAMA EAT&TALK #1
KBS Symphony Orchestra 2019
2024 Leeum Calendar × Hyun-Sook Song
Juwon Kim: The night, the past recalls the past
Lee ShinJa, Threadscapes
Jeongsu Woo: Three Devils by the Bedside
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Design and the Anxiety of the Contemporary
YES! Market
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KEEPUSWEIRD
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Spectres of the State Avant-Garde
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps
kontaaktpoie
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
RM ‘Right Place, Wrong Person’
Have A Nice Day: Greetings from kontaakt
Ticket, Ilmin Museum of Art (Renewal)
RM ‘Right Place, Wrong Person’
Olafur Eliasson: The living observatory, 2021
RM ‘Right Place, Wrong Person’
Peardrop
kontaaktpoie
RM ‘Right Place, Wrong Person’
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Jeongsu Woo: Three Devils by the Bedside
COSMOS PARTY
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KEEPUSWEIRD
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Catastrophe and Recovery
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
do it 2017, Seoul
Oksun Kim: The Story of You and Me