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KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
RM ‘Right Place, Wrong Person’
Design and the Anxiety of the Contemporary
RM ‘Right Place, Wrong Person’
2026 SeMA Calendar
KBS Symphony Orchestra 2019
KEEPUSWEIRD
RM ‘Right Place, Wrong Person’(Vinyl)
Jeongsu Woo: Three Devils by the Bedside
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
2024 Leeum Calendar × Hyun-Sook Song
Peardrop
RM ‘Right Place, Wrong Person’
QUEENMAMA EAT&TALK #1
Olafur Eliasson: The living observatory, 2021
Spectres of the State Avant-Garde
Through Fragility
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
THE NEUTRAL
The Heaven and the Sinner
Lee ShinJa, Threadscapes
Ticket, Ilmin Museum of Art (Renewal)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Crush EP 'FANG'
KEEPUSWEIRD
KYNE: ROUTE3
Jeongsu Woo: Three Devils by the Bedside
kontaaktpoie
do it 2017, Seoul
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Juwon Kim: The night, the past recalls the past
Oksun Kim: The Story of You and Me
Korean Video Art from 1970s to 1990s: Time Image Apparatus
RM ‘Right Place, Wrong Person’
Catastrophe and Recovery
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Have A Nice Day: Greetings from kontaakt
YES! Market
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
kontaaktpoie
Crush EP 'FANG'