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THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Jeongsu Woo: Three Devils by the Bedside
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
RM ‘Right Place, Wrong Person’
do it 2017, Seoul
2024 Leeum Calendar × Hyun-Sook Song
Crush EP 'FANG'
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
QUEENMAMA EAT&TALK #1
kontaaktpoie
Design and the Anxiety of the Contemporary
THE NEUTRAL
Lee ShinJa, Threadscapes
Through Fragility
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Spectres of the State Avant-Garde
Juwon Kim: The night, the past recalls the past
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Peardrop
Olafur Eliasson: The living observatory, 2021
Crush EP 'FANG'
kontaaktpoie
YES! Market
RM ‘Right Place, Wrong Person’
Ticket, Ilmin Museum of Art (Renewal)
RM ‘Right Place, Wrong Person’
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KEEPUSWEIRD
KBS Symphony Orchestra 2019
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Oksun Kim: The Story of You and Me
THE NEUTRAL
Jeongsu Woo: Three Devils by the Bedside
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Catastrophe and Recovery
KEEPUSWEIRD
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’(Vinyl)
Have A Nice Day: Greetings from kontaakt
The Heaven and the Sinner