kontaakt

Lee ShinJa, Threadscapes

The Heaven and the Sinner

do it 2017, Seoul

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Korean Video Art from 1970s to 1990s: Time Image Apparatus

Design and the Anxiety of the Contemporary

Jeongsu Woo: Three Devils by the Bedside

RM ‘Right Place, Wrong Person’

Olafur Eliasson: The living observatory, 2021

QUEENMAMA EAT&TALK #1

Ticket, Ilmin Museum of Art (Renewal)

Crush EP 'FANG'

Crush EP 'FANG'

2024 Leeum Calendar × Hyun-Sook Song

Jeongsu Woo: Three Devils by the Bedside

Catastrophe and Recovery

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

KBS Symphony Orchestra 2019

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Through Fragility

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Oksun Kim: The Story of You and Me

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

RM ‘Right Place, Wrong Person’

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Have A Nice Day: Greetings from kontaakt

Spectres of the State Avant-Garde

RM ‘Right Place, Wrong Person’(Vinyl)

Juwon Kim: The night, the past recalls the past

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)