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RM ‘Right Place, Wrong Person’
Have A Nice Day: Greetings from kontaakt
Juwon Kim: The night, the past recalls the past
Oksun Kim: The Story of You and Me
Design and the Anxiety of the Contemporary
THE NEUTRAL
The Heaven and the Sinner
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
RM ‘Right Place, Wrong Person’
KBS Symphony Orchestra 2019
RM ‘Right Place, Wrong Person’
do it 2017, Seoul
YES! Market
Lee ShinJa, Threadscapes
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Jeongsu Woo: Three Devils by the Bedside
KEEPUSWEIRD
RM ‘Right Place, Wrong Person’(Vinyl)
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Peardrop
kontaaktpoie
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Spectres of the State Avant-Garde
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Olafur Eliasson: The living observatory, 2021
Crush EP 'FANG'
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Through Fragility
KEEPUSWEIRD
KYNE: ROUTE3
Crush EP 'FANG'
2024 Leeum Calendar × Hyun-Sook Song
Ticket, Ilmin Museum of Art (Renewal)
Catastrophe and Recovery
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Jeongsu Woo: Three Devils by the Bedside
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Korean Video Art from 1970s to 1990s: Time Image Apparatus
kontaaktpoie
QUEENMAMA EAT&TALK #1