kontaakt

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Juwon Kim: The night, the past recalls the past

Have A Nice Day: Greetings from kontaakt

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Through Fragility

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

2024 Leeum Calendar × Hyun-Sook Song

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

RM ‘Right Place, Wrong Person’

Spectres of the State Avant-Garde

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Jeongsu Woo: Three Devils by the Bedside

Design and the Anxiety of the Contemporary

Ticket, Ilmin Museum of Art (Renewal)

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Korean Video Art from 1970s to 1990s: Time Image Apparatus

Crush EP 'FANG'

do it 2017, Seoul

The Heaven and the Sinner

Catastrophe and Recovery

Lee ShinJa, Threadscapes

Oksun Kim: The Story of You and Me

RM ‘Right Place, Wrong Person’(Vinyl)

Crush EP 'FANG'

KBS Symphony Orchestra 2019

RM ‘Right Place, Wrong Person’

QUEENMAMA EAT&TALK #1

Olafur Eliasson: The living observatory, 2021

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

Jeongsu Woo: Three Devils by the Bedside

RM ‘Right Place, Wrong Person’