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Crush EP 'FANG'
Juwon Kim: The night, the past recalls the past
2024 Leeum Calendar × Hyun-Sook Song
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KYNE: ROUTE3
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’
The Heaven and the Sinner
kontaaktpoie
Lee ShinJa, Threadscapes
YES! Market
Ticket, Ilmin Museum of Art (Renewal)
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
RM ‘Right Place, Wrong Person’(Vinyl)
Korean Video Art from 1970s to 1990s: Time Image Apparatus
THE NEUTRAL
Jeongsu Woo: Three Devils by the Bedside
Through Fragility
Olafur Eliasson: The living observatory, 2021
kontaaktpoie
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
KEEPUSWEIRD
Catastrophe and Recovery
KBS Symphony Orchestra 2019
THE NEUTRAL
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Oksun Kim: The Story of You and Me
RM ‘Right Place, Wrong Person’
Peardrop
Design and the Anxiety of the Contemporary
Jeongsu Woo: Three Devils by the Bedside
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Spectres of the State Avant-Garde
Have A Nice Day: Greetings from kontaakt
do it 2017, Seoul
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
QUEENMAMA EAT&TALK #1
KEEPUSWEIRD