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KBS Symphony Orchestra 2019
Juwon Kim: The night, the past recalls the past
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Catastrophe and Recovery
THE NEUTRAL
YES! Market
kontaaktpoie
Have A Nice Day: Greetings from kontaakt
KEEPUSWEIRD
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
do it 2017, Seoul
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KEEPUSWEIRD
Spectres of the State Avant-Garde
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Design and the Anxiety of the Contemporary
Peardrop
Oksun Kim: The Story of You and Me
Korean Video Art from 1970s to 1990s: Time Image Apparatus
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
RM ‘Right Place, Wrong Person’
Crush EP 'FANG'
2024 Leeum Calendar × Hyun-Sook Song
Jeongsu Woo: Three Devils by the Bedside
RM ‘Right Place, Wrong Person’
QUEENMAMA EAT&TALK #1
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
kontaaktpoie
Jeongsu Woo: Three Devils by the Bedside
Through Fragility
Lee ShinJa, Threadscapes
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Ticket, Ilmin Museum of Art (Renewal)
RM ‘Right Place, Wrong Person’
The Heaven and the Sinner
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’(Vinyl)
THE NEUTRAL
Olafur Eliasson: The living observatory, 2021
RM ‘Right Place, Wrong Person’