kontaakt

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Have A Nice Day: Greetings from kontaakt

RM ‘Right Place, Wrong Person’

2024 Leeum Calendar × Hyun-Sook Song

Lee ShinJa, Threadscapes

Catastrophe and Recovery

Jeongsu Woo: Three Devils by the Bedside

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Spectres of the State Avant-Garde

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

RM ‘Right Place, Wrong Person’

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Crush EP 'FANG'

RM ‘Right Place, Wrong Person’(Vinyl)

RM ‘Right Place, Wrong Person’

Design and the Anxiety of the Contemporary

Crush EP 'FANG'

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Jeongsu Woo: Three Devils by the Bedside

Oksun Kim: The Story of You and Me

Through Fragility

Ticket, Ilmin Museum of Art (Renewal)

The Heaven and the Sinner

Juwon Kim: The night, the past recalls the past

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

QUEENMAMA EAT&TALK #1

Korean Video Art from 1970s to 1990s: Time Image Apparatus

do it 2017, Seoul

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

KBS Symphony Orchestra 2019

RM ‘Right Place, Wrong Person’

Olafur Eliasson: The living observatory, 2021