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Olafur Eliasson: The living observatory, 2021
YES! Market
Korean Video Art from 1970s to 1990s: Time Image Apparatus
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Through Fragility
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
RM ‘Right Place, Wrong Person’
Oksun Kim: The Story of You and Me
Peardrop
RM ‘Right Place, Wrong Person’
Jeongsu Woo: Three Devils by the Bedside
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
RM ‘Right Place, Wrong Person’
KEEPUSWEIRD
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Have A Nice Day: Greetings from kontaakt
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
RM ‘Right Place, Wrong Person’
KEEPUSWEIRD
KBS Symphony Orchestra 2019
Design and the Anxiety of the Contemporary
KYNE: ROUTE3
Catastrophe and Recovery
kontaaktpoie
Crush EP 'FANG'
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
The Heaven and the Sinner
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
2024 Leeum Calendar × Hyun-Sook Song
QUEENMAMA EAT&TALK #1
THE NEUTRAL
Jeongsu Woo: Three Devils by the Bedside
kontaaktpoie
Juwon Kim: The night, the past recalls the past
THE NEUTRAL
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’(Vinyl)
do it 2017, Seoul
Ticket, Ilmin Museum of Art (Renewal)
Lee ShinJa, Threadscapes
Spectres of the State Avant-Garde