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Olafur Eliasson: The living observatory, 2021
Design and the Anxiety of the Contemporary
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
KBS Symphony Orchestra 2019
Jeongsu Woo: Three Devils by the Bedside
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
kontaaktpoie
Oksun Kim: The Story of You and Me
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Juwon Kim: The night, the past recalls the past
YES! Market
The Heaven and the Sinner
Lee ShinJa, Threadscapes
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Have A Nice Day: Greetings from kontaakt
COSMOS PARTY
RM ‘Right Place, Wrong Person’
Peardrop
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Spectres of the State Avant-Garde
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Ticket, Ilmin Museum of Art (Renewal)
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
do it 2017, Seoul
Jeongsu Woo: Three Devils by the Bedside
Catastrophe and Recovery
2024 Leeum Calendar × Hyun-Sook Song
KEEPUSWEIRD
KEEPUSWEIRD
QUEENMAMA EAT&TALK #1
Korean Video Art from 1970s to 1990s: Time Image Apparatus
DOOSAN Humanities Theater 2023: Age, Age, Age
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
kontaaktpoie
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie