kontaakt

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Olafur Eliasson: The living observatory, 2021

RM ‘Right Place, Wrong Person’

Crush EP 'FANG'

RM ‘Right Place, Wrong Person’(Vinyl)

Crush EP 'FANG'

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Ticket, Ilmin Museum of Art (Renewal)

Lee ShinJa, Threadscapes

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

KBS Symphony Orchestra 2019

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Juwon Kim: The night, the past recalls the past

Design and the Anxiety of the Contemporary

do it 2017, Seoul

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

2024 Leeum Calendar × Hyun-Sook Song

QUEENMAMA EAT&TALK #1

The Heaven and the Sinner

RM ‘Right Place, Wrong Person’

Korean Video Art from 1970s to 1990s: Time Image Apparatus

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Through Fragility

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

Oksun Kim: The Story of You and Me

Jeongsu Woo: Three Devils by the Bedside

Jeongsu Woo: Three Devils by the Bedside

Catastrophe and Recovery

Have A Nice Day: Greetings from kontaakt

RM ‘Right Place, Wrong Person’

Spectres of the State Avant-Garde

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

RM ‘Right Place, Wrong Person’

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie