kontaakt

KBS Symphony Orchestra 2019

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Korean Video Art from 1970s to 1990s: Time Image Apparatus

Jay Park & LNGSHOT – 4SHOBOIZ Vol. 2: 4SHOVILLE

2026 SeMA Calendar

The Heaven and the Sinner

Ticket, Ilmin Museum of Art (Renewal)

Design and the Anxiety of the Contemporary

RM ‘Right Place, Wrong Person’

Lee ShinJa, Threadscapes

RM ‘Right Place, Wrong Person’

Catastrophe and Recovery

Crush EP 'FANG'

do it 2017, Seoul

2024 Leeum Calendar × Hyun-Sook Song

QUEENMAMA EAT&TALK #1

Through Fragility

Juwon Kim: The night, the past recalls the past

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

MOKA LEE: INNUENDO

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Spectres of the State Avant-Garde

RM ‘Right Place, Wrong Person’

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Crush EP 'FANG'

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Jeongsu Woo: Three Devils by the Bedside

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

RM ‘Right Place, Wrong Person’(Vinyl)

Have A Nice Day: Greetings from kontaakt

Oksun Kim: The Story of You and Me

Jeongsu Woo: Three Devils by the Bedside